I have become a later life fan of The Cure. Songs of a Lost World is beautiful.
I lose all my life like this
Reflecting time and memories
And all for fear of what I’ll find
If I just stop and empty out my mind
Of all the ghosts and all the dreams
All I hold to in belief
That all I ever am
Is somehow never quite all I am now
“I’ve been taught bloodstones can cure a snakebite, can stop the bleeding—most people forgot this when the war ended. The war ended depending on which war you mean: those we started, before those, millennia ago and onward, those which started me, which I lost and won—these ever-blooming wounds.”
—Natalie Diaz, Post Colonial Love Poem
Natalie Diaz writes of her heritage, her connection to earth and water, and her lovers, as if they are all part of the same emotional (erotically charged) experience. The synthesis is eloquent and moving.
To give mind to machines, they are calling it
out of the world, out of the neighborhood, out of the body.
They have bound it in the brain, in the hard shell
of the skull, in order to bind it in a machine.
From the heron flying home at dusk,
from the misty hollows at sunrise,
from the stories told at the row’s end,
they are calling the mind into exile
in the dry circuits of machines.
Between here and her are rolling hills where
wind-weathered peoples once cornered game.
They walked and hunted and walked and lived.
You can save money crossing those hills if you have a K-Tag on your windshield.
Then great flats we only desire to know
as vectors of acceleration over time, sit upon
the largest unbroken tectonic plate in the world.
“This was once under a vast inland sea,” she said. “More than once.” he replied.
Between here and her is a massive orogenic phantasm.
Buried to its shoulder in its own eroded silt, still it looms.
Cloaked in a shroud of green, it is the preferred home
of the larger, more secretive mammals.
“A full-grown grizzly can stand as tall as a…”
Then desert, where they built a city to accelerate
the process of gaining and losing riches.
Beyond the light and noise of it, slow, ancient processes unfold.
The birth and death of that city will be an unnoticed flicker in time.
“If you have seventeen showing, it’s usually best to stick.”
Between here and her is
everything seen and everything hidden,
everything learned and forgotten,
everything created and destroyed
and it’s all just so damned beautiful and mysterious.
My arms would gauge the weight of her mysteries too,